This could have been caused by a develop preset being applied on import, but since all the values are gray (not white), I wonder if you have inadvertently saved these settings as default, so that they are applied to every image you import from that camera. Thx.The screenshot you posted shows that extensive edits have been made to the image. Resolve is off the hook (for now :0) but I'd be curious if anyone else has had similar experience or a better way to do this? Also, if anyone knows an open source DNG conversion tool (non Adobe) that works well, I'd like to try that too. More research determined that Phase One's Capture One software can convert DSLR raw files to DNG independently of Adobe's conversion tools.īringing the CR2 files through Capture One to DNGs into Resolve produced a good looking image:Ī) Is Adobe getting something wrong (ever so slightly) converting Canon Raw to DNG?ī) Is Canon making slightly non-standard raw files that flummox Adobe?Ĭ) Is Adobe re-wrapping Canon's raw file to DNG and passing the information unharmed to Davinci Resolve, where Resolve is failing to interpret these correctly?įor now, I can use Capture One to make my DNGs and it will work in Resolve, so I'm happy I pushed a little harder and figured out something that works.Īlthough I could convert CR2's directly in After Effects and do my corrections there, I prefer to use Resolve as its a more powerful and fluid tool built for color work. OK, but now who's the guilty party: Adobe, Canon or Resolve? All of them came through Adobe DNG Converter into Resolve perfectly. I then tested an array of other DSLR raw formats (Sony, Pansonic GH3, Fuji, Leica DNG, Olympus and Pentax). They looked totally normal!īut that didn't confirm everything. The same DNGs look fine in After Effects, Premiere, Aperture, Photoshop, Preview etc.Īt first I suspected Resolve of being the culprit, but then I borrowed a friends Nikon D700 and brought a NEF file sequence through Adobe DNG Converter (8.4) and imported Nikon DNG's to Resolve. I tried this with a variety of Canon cameras and they all exhibited the same results. Bringing them into Resolve, the colors are all shifted to monochrome magenta: Initially, I used Adobe's DNG Converter to convert Canon 7D CR2 sequences to DNG. OK, after extensive research I will admit that I was WRONG: Davinci Resolve CAN import "non Cinema" DNG sequences and display them correctly. Hopefully this gets addresses in V11 of Resolve but I kind of doubt it. Final Cut 10 can read DNGs, but can't adjust them base on raw settings, so what's the the point? For now, I think After Effects or Premiere are probably the most practical routes. It's unfortunate that Resolve does deal with DNG or other RAW image sequences because it would be great to use those tools to get things really dialed. From here, I'd render out a ProRes file for further editing. You can adjust exposure from there, but at least you don't lose your raw controls. This profile along with a white balance setting can then be applied as a preset in ACR in After Effects to get really accurate color for a particular scene. With this, you can shoot a chip chart, and create a custom profile based on sensor (5D, 6D, D800 etc), lens, and lighting environment (tungsten, daylight, strobe). I own the Xrite Color Checker Macbeth chart and software. This ACR interface is interoperable with Bridge and Photoshop as well as Lightroom. Nor does this help anyone with NEF or other raw formats.Ĥ) You can convert DNG to DPX, Cineon etc via CR2DPX but then you lose raw settings in Resolve.ĥ) After Effects can read CR2 or DNG sequences and access all of the camera raw settings through the Adobe Camera Raw interface. CR2 files shot normally on the camera in timelapse or stop motion. RAW files, which are video files in a container that CAN be converted to Cinema DNG via Raw Magic. cr2 or regular DNG files as compatible, only Cinema DNGs, so if anyone has gotten this to work with CR2 or DNG, let me know.ģ) Magic Lantern creates. ![]() As of 10.1.5, Resolve can read a DNG sequence and recognize the size as 5Kx3K and as a16bit image, but the colors are completely whacked out (totally magenta, for example), so not useful as such.Ģ) Cineform Studio does not list. Last year Rohit at BMC indicated that "this would be fixed on the next dot release". ![]() I've been going thorough the same search for several years and have come to following conclusions:ġ) Resolve can work with Cinema DNG but not DNG sequences, probably due to a setting that makes the DNG file close, but no cigar.
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